Looking at the cities I move through. Architecture, black and white, and color from San Francisco, San Diego, Los Angeles, and beyond.
A facade study capturing the sculpted bay window detail at 4655 Cass Street. Each unit pushes out at the corner with chamfered concrete frames that catch the San Diego light differently through the day.
Peter Zumthor's David Geffen Galleries. The curved concrete and glass volume floats above the ground on supporting pavilions, crossing Wilshire Boulevard.
Looking straight up the deep vertical fins of the Sutter Health facade. The repeating concrete ribs frame the sky into narrow vertical strips of cloud.
A close study of the deep coffered facade at CPMC. The aggregate concrete surround pushes each window into its own recessed cell.
A horse leans down to greet the camera through the stable rail. Shot tight enough that the muzzle nearly fills the frame.
An older driver parked at the edge of Crissy Field looking out at the bay.
A quiet street in Chinatown caught in the middle of the afternoon. A figure resting against a parking post under the weathered KEE CO. sign.
A street performer in a King Kong costume embracing a smaller figure.
Two fishermen silhouetted against the San Francisco skyline, lines out into the bay.
A seagull standing on a railing at Marina Green looking out at the bay during the early COVID days, January 2020.
A horse looking out from behind a wood fence rail. The grain of the wood bisects the frame.
A large crow in the foreground, two small kids in the background. A trick of perspective makes the bird look giant against the children.
September 2020. A man standing at the edge of Baker Beach holding a golf club, facing the Pacific like the entire ocean is his private green. The world is yours.
A Polk Street mural. Hotel Hartland, Woerner's Cigars and Liquors, and a giant blue cat painted across the wall. A woman rests at the base of it on a quiet afternoon.
Two single sculls cutting through silver water under heavy SF fog. The horizon dissolves; the sun is just bright enough to make the water shine.
July 2019. A lone slipper with 'LOVE' across the strap, abandoned on the asphalt and half buried in fallen leaves.
February 2021. An entire life strapped to the back of a pickup truck on a North Beach street at night, baskets, golf bag, lamps, antlers, a DANGER WATCH YOUR STEP sign holding the center.
February 2020. A small downtown alley off First Street. The sun cutting down precisely between two buildings to land right on the painted soldier in the mural.
March 2016. The Dewey Monument at Union Square photographed against a daytime moon.
February 2016. Another perspective of the Dewey Monument, tilted up against drifting clouds.